March 28, 2012
psql:

Womp, womp.

psql:

Womp, womp.

(Source: psqletc)

3rdofmay:

The art: Ed Ruscha, Parking Lots #23 (Century City, 1800 Avenue of the Stars), 1967/99.
The news: “When a Parking Lot is So Much More,” by Eran Ben-Joseph for the New York Times opinion page.
The source: Collection of the Mildred Lane Kemper Art Museum, St. Louis, the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art. 

3rdofmay:

The art: Ed Ruscha, Parking Lots #23 (Century City, 1800 Avenue of the Stars), 1967/99.

The news: “When a Parking Lot is So Much More,” by Eran Ben-Joseph for the New York Times opinion page.

The source: Collection of the Mildred Lane Kemper Art Museum, St. Louis, the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art. 

(via sfmoma)

March 13, 2012
March 10, 2012

(Source: psql)

psql:

I’ve been experimenting with explosion emissions. I threw this one in the bin. I call it exploding lamb.

psql:

I’ve been experimenting with explosion emissions. I threw this one in the bin. I call it exploding lamb.

assortedschmidt:

cloone

assortedschmidt:

cloone

fckyeaharthistory:

Philip Guston: The Clock, 1956-57. Oil on canvas.

fckyeaharthistory:

Philip Guston: The Clock, 1956-57. Oil on canvas.

fckyeaharthistory:

August Rodin - The Cathedral, marble. 

fckyeaharthistory:

August Rodin - The Cathedral, marble. 

fckyeaharthistory:

Philip Guston - The Studio, 1969. Oil on canvas

fckyeaharthistory:

Philip GustonThe Studio, 1969. Oil on canvas

futureshipwreck:

“Group photo of candidates for Biosphere 2, 1989. Only six of the fourteen individuals shown were ultimately chosen to live in the biosphere, along with two others not present.”
via Cabinet Magazine

futureshipwreck:

“Group photo of candidates for Biosphere 2, 1989. Only six of the fourteen individuals shown were ultimately chosen to live in the biosphere, along with two others not present.”

via Cabinet Magazine

Bent Media